Dr. Uva de Aragón will discuss her second mystery novel, featuring the Cuban-American detective María Duquesne. The murder of a young decorator and art curator leads Duquesne and her shrewd colleague Iván Fernández to interview members of a wealthy family at their homes in the best neighborhoods of Miami. Soon a second murder occurs in the gardens of the famous Palace of Vizcaya. Are the deaths of an elegant American from New York and an undocumented Hispanic woman related?
Based on archival research, oral histories, interviews, and musicological analysis, Dr. Benjamin Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music.
In the second lecture of a series, Dr. Benjamin Lapidus explores the life and musical career of Elio Osácar, a.k.a. Sonny Bravo, an Afro-Cuban arranger and performer, as well as co-director of the pan-ethnic salsa group Típica 73, representative of the period 1973–80 in New York Latin music. The group, which covered contemporary Cuban songs, pushed the boundaries of tradition through their instrumentation and performance.
In this presentation, Dr. Benjamin Lapidus examines how important Cuban musicians arrived in New York during the Mariel exodus and how their presence enriched Cuban folklore, sacred music, and danceable popular music. Through recordings and interviews, the lecture focuses on several artists of the period to explore their impact as musicians and teachers.
Drs. Javier Francisco-Ortega and Rosalina Montes Espín will examine how the living collections of the Cienfuegos Botanical Garden in Cuba were established with material collected during the Utowana expeditions, sponsored by the U.S. Department of Agriculture. This case study provides an opportunity for further interdisciplinary examination related to questions of U.S. influence in the Caribbean, international cooperation, and neocolonial approaches to engagement and policy.
This workshop is geared toward both small business owners and salespersons, with a focus on Latino and Cuban entrepreneurs. Led by Professor Rafael Soltero Venegas, the event will be held in Spanish and will be broadcast live on Zoom.
Vividly recasting Cuba’s politics in the 1930s as transnational, Dr. Ariel Mae Lambe reimagines Cuban activism during an era previously regarded as a lengthy, defeated lull. In this period, many Cuban activists began to look at their fight against strongman rule and neocolonial control at home as part of the international antifascism movement that exploded with the Spanish Civil War.
This panel discussion will gather experts on various ethnic groups in Cuba to address how ethnic prejudice and racial discrimination shaped each group's incorporation into Cuban society, and how immigrants and their descendants from various origins sought to overcome such hurdles. In addition, participants will analyze how different ethnic and racial groups contributed to the development of contemporary Cuban culture, as well as the status of the immigrants' descendants in Cuba today.
The main objective of this event is to identify some of the main pedagogical issues involved in teaching about Cuba on the island and in Miami. The panel will gather three educators to share their work on the literacy campaign in Cuba, Cuban-American teachers in Miami, and incorporating Cuba in the curriculum.
"Letters to Eloísa" is an hour-long documentary film by Adriana Bosch about Cuban writer José Lezama Lima, considered one of the most influential figures in Latin American literature. It relies on letters written by Lezama between 1961 and 1976 to his sister in exile, to tell the story of the writer’s life, his struggle for artistic freedom, and tragic end.
Dr. Eliana Rivero's "Obra selecta" (Valencia, Spain: Aduana Vieja) gathers some of her best-known essays on Cuban-American cultural studies, Latin American poetry, feminism, and Latin American minorities in the United States. Her pioneering work fuses theoretical reflection, personal testimony, and literary analysis. Dr. Armando Chávez Rivera will present the book.
This presentation by Dr. David Font-Navarrete explores a series of LPs from the Díaz-Ayala Collection at the FIU Libraries, which evoke the complex nature of Afro-Atlantic deities known as orisha. By considering obscure, commercially-published mid-20th century recordings like "Rezo de Santo" as a significant medium for orisha to flow across time and space, the images and texts of album covers become discernibly saturated with meaning.
This lecture by Dr. Ricardo Pelegrín Taboada utilizes legal professionals as a strategic window to unveil the patterns of social mobility and its limitations involving class, race, and gender in late colonial Cuba.
CRI is partnering with the Miami-Dade County Public Schools and other institutions to host a three-day training program for public school teachers from K-12 on Cuban history and the Cuban-American experience.
This lecture by Dr. Adriana Méndez Rodenas encompasses a review of recordings of "la tumba francesa" held at the Díaz-Ayala Collection, focusing on the musicality of the dance, its connections to Afro-Cuban music, and its survival as a dance form. "La tumba francesa" emerges in Cuban literature and film at pivotal moments in the island’s history—the waning of the war of 1895 and the transition to socialism in 1961—, making a singular contribution to Cuban cultural identity.
This lecture by Ned Sublette will focus on developing a curriculum for a college course to be called "Introduction to the Cuban Discography." The presentation will include an overall survey of the Díaz-Ayala Collection and its holdings; scrutiny of the earliest recordings in the collection; a survey of rumba and Afro-Cuban religious recordings; a focus on the Cuban independent labels that grew up in the wake of Panart Records; and a contrast of pre- and post-revolutionary production.
As Cuba continues to expand Internet access and as citizens challenge state policies on the speed, breadth, and freedom of that access, this volume edited by Ted Henken and Sara García Santamaría provides a fascinating example of the impact of technology in authoritarian states and transitional democracies. While the streets of Cuba may still belong to Castro’s Revolution, this volume argues, it is still unclear to whom Cuban cyberspace belongs.